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Writing about Novels and Short Stories

Writing about novels and short stories is not easy without drawing a comparison.

Which is the better genre? Which is the more lucrative? Which is the easier one to write?

I was talking to an editor friend of mine today, and she said: “Well, they are different genres which require entirely different skills. Just because you are good at one does not automatically mean you would be good at another. The opposite, that you would suck at both, is also not true. You could be writing a brilliant novel and only an average short story, or vice versa. Very few people, like Thomas Mann , were masters of both, you know.”

As to which is the more lucrative, well, that is easy. The novel. Wait, maybe the answer is changing slowly, as this article in the Guardian tells you.

There are a lot of authors who have vacillated between the two forms, or compared the two,
but essentially it has turned out that both forms demand equal amount of devotion from the author. A lot of people make it straight as a novelist, without having published any short stories at all.

I believe that the length of the story is decided by the story itself. If you have a wide, sweeping story to tell, which has a cast of hundreds, you can hardly fit it into a short story. On the other hand, if you see events not as a continuous motion but as fragments of time, short stories are your best bet.

I have loved reading novels, always. But then, there is nothing to beat a collection of short stories or an anthology when you are in the mood for a multi-flavored literary snack, is there?


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Damyanti Biswas

Damyanti Biswas’s short fiction has been published at Smokelong, Ambit, Litro, Puerto del Sol, among others, and she's the co-editor of The Forge literary magazine. She's the author of YOU BENEATH YOUR SKIN, a bestselling crime novel, which has been optioned for screens by Endemol Shine. Her next #1 Amazon bestselling crime novel, THE BLUE BAR, was published by Thomas & Mercer. It received a starred review on Publishers Weekly, and was one of 2023's Most Anticipated Mysteries & Thrillers on Goodreads. Kirkus Reviews called its sequel, THE BLUE MONSOON, a compelling procedural awash in crosscurrents. Her work is represented by Lucienne Diver at The Knight Agency.

I appreciate comments, and I always visit back. If you're having trouble commenting, let me know via the contact form, or tweet me up @damyantig !

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