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Writing again about writing dialogue

Here are a few dialogue writing pointers I picked up from “How to Grow a Novel” by Sol Stein.

The tips work for dialogues in short stories as well as novels, and perhaps they are more important in short stories because the author has to say much in a short space.

The aim of dialogue is to create emotional effect in the reader.

One of the things a writer has to learn by conscious application is to discard coherence and logic that is usually meant for non-fiction. Dialogue seems artificial when it is coherent and logical.

When writing dialogue, always remember that a character who reveals not enough reveals much.

Always check for conflict in dialogue.

Check whether the lines spoken are consistent with the character’s background.

Weed out any unnecessary words.

Loosen stiff sentences.

Check to see what is going on in between the lines: what counts in dialogue is not what is said but what is meant.

To me, the words I have bolded out, are really the most important pieces of advice. Drop in any additional tips in the comments and I’ll add it to this list and credit it to you.


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Damyanti Biswas

Damyanti Biswas’s short fiction has been published at Smokelong, Ambit, Litro, Puerto del Sol, among others, and she's the co-editor of The Forge literary magazine. She's the author of YOU BENEATH YOUR SKIN, a bestselling crime novel, which has been optioned for screens by Endemol Shine. Her next #1 Amazon bestselling crime novel, THE BLUE BAR, was published by Thomas & Mercer. It received a starred review on Publishers Weekly, and was one of 2023's Most Anticipated Mysteries & Thrillers on Goodreads. Kirkus Reviews called its sequel, THE BLUE MONSOON, a compelling procedural awash in crosscurrents. Her work is represented by Lucienne Diver at The Knight Agency.

I appreciate comments, and I always visit back. If you're having trouble commenting, let me know via the contact form, or tweet me up @damyantig !

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3 Comments

  • Arijit says:

    nice name for blog. best.

  • Uninvoked says:

    Don't forget that a lot of rules for standard writing don't apply to to dialog. A great example is that excessive adverbs are looked down on when used in description. If you try to weed these out of dialog however, it ends up sounding stilted and flat.

  • darcknyt says:

    I don't have anything to add to these great tips. Thanks, Damyanti!

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