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The Edge of Impropriety, and Why I Liked It

I’m not a fan of romances, but I do like me a historical romance every now and then.

So in between reading Blindness by Saramago, and We Need to Talk about Kevin by Lionel Shriver, I fitted in The Edge of Impropriety, by Pam Rosenthal. I find that I need to mix up my books– too much heavy reading and I’m depressed, too dark, and I’m psyched. I need light reading to liven up things, which is where The Edge of Impropriety came in.

Excerpt from the book: in the voice of Sydney, the 13-yr old niece of the hero

I loved that it is so well written (I find so many romances aren’t), and then it has these characters from different walks of life, not the main characters but the supporting cast, with their own walks of life, which allows Rosenthal to reinforce her Regency setting with bits and pieces of reality. I love their voices, the perspectives they bring to the historical setting and how well they fit in with the main structure of the novel, without compromising on its genre, which remains, firmly, historical romance. 

And the erotica remains subtle, well-placed, not heavy-breathing cheapness, but a tender rendering with lots of poetic detail.

Pick up this book if you like historical romances. You might enjoy reading it as much as I did.


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Damyanti Biswas

Damyanti Biswas’s short fiction has been published at Smokelong, Ambit, Litro, Puerto del Sol, among others, and she's the co-editor of The Forge literary magazine. She's the author of YOU BENEATH YOUR SKIN, a bestselling crime novel, which has been optioned for screens by Endemol Shine. Her next #1 Amazon bestselling crime novel, THE BLUE BAR, was published by Thomas & Mercer. It received a starred review on Publishers Weekly, and was one of 2023's Most Anticipated Mysteries & Thrillers on Goodreads. Kirkus Reviews called its sequel, THE BLUE MONSOON, a compelling procedural awash in crosscurrents. Her work is represented by Lucienne Diver at The Knight Agency.

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