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Writing about the Italian Song “La gatta”

Writing has to take a backseat for a few days, because I need to concentrate on other things for a while. I’ve listening a lot to Italian songs. I love this particular number, innocent and nostalgic, it really relaxes me.

C’era una volta una gatta,

(Once upon a tme there was a cat)

che aveva una macchia nera sul muso

(that had a black streak on its face)

e una vecchia soffitta vicino al mare

(and an old attic near the sea)

con una finestra a un passo dal cielo blu.

(with a window with a view of the blue sky)

Se la chitarra suonavo,

(If I played the guitar)

la gatta faceva le fusa ed un stellina

(The cat would purr and a star,)

scendeva vicina vicina

(came down nearer and nearer,)

poi mi sorrideva e se ne tornava su.

(Then smiled at me, and returned upwards)

Ora non abito più là,

(Now I don’t live there any more)

tutto è cambiato, non abito più là.

(all has changed, I don’t live there any more)

Ho una casa bellissima,

(I have a beautiful house)

bellissima come vuoi tu.

(beautiful like you want)

Ma io ripenso a una gatta,

(But I muse about that cat)

che aveva una macchia nera sul muso,

(that had a black streak on its face)

a una vecchia soffitta vicino al mare

(and an old attic near the sea)

con una stellina che ora non vedo più.

(with a star that I now don’t see any more.)

On another note,

Merry Christmas to all, I hope this season brings to this world a new understanding of family, love, and togetherness.


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Damyanti Biswas

Damyanti Biswas’s short fiction has been published at Smokelong, Ambit, Litro, Puerto del Sol, among others, and she's the co-editor of The Forge literary magazine. She's the author of YOU BENEATH YOUR SKIN, a bestselling crime novel, which has been optioned for screens by Endemol Shine. Her next #1 Amazon bestselling crime novel, THE BLUE BAR, was published by Thomas & Mercer. It received a starred review on Publishers Weekly, and was one of 2023's Most Anticipated Mysteries & Thrillers on Goodreads. Kirkus Reviews called its sequel, THE BLUE MONSOON, a compelling procedural awash in crosscurrents. Her work is represented by Lucienne Diver at The Knight Agency.

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